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[DYSTALK002] - Le Chat Noir // Syncope

  • Photo du rédacteur: JDS
    JDS
  • 4 avr.
  • 8 min de lecture

Le Chat Noir is a brand-new project that emerged just a few months ago, born out of a desire to push creative boundaries. This side project of Syncope allows the artist to blend bass music influences with darker, more personal elements. Though the project is still in its early stages, it already carries a distinct character and passion. In this interview, Le Chat Noir shares insights into her beginnings, her inspirations, and how she balances her two musical projects. One artist, two worlds, but a single goal: to create uncompromising music. Step into the mysterious universe of Le Chat Noir, where creativity knows no limits.

After more than seven years under the name Syncope, you are launching Le Chat Noir. What motivated this new artistic identity?

After years of doing the same style, I felt like I needed to explore something new. In the studio, my creativity and motivation were no longer the same. Bringing metal into my dnb was already a big breath of fresh air, but it wasn’t enough.


How does Le Chat Noir differ from Syncope? Is it a departure or an extension of what you were already doing?

I like to imagine my artistic identities as a set of characters that coexist inside me. Syncope is the one that protects me from all the darkness in the world, the one that gives me strength and light to move forward in the dark, the one that is invincible in a sense. She takes my traumas and externalizes them in a healthy way through music. It is a project that is rather personal and turned towards myself. Meanwhile, Le Chat Noir is my joy of living, a sparkling energy that wants to dance on the roof of the world. It is a project turned towards others: sharing, laughter, dancing, love, and moments outside of time.


Your alias evokes a strong imagery, between mystery and independence. What message do you want to convey through this new identity?

Le Chat Noir is a free, independent, somewhat elusive spirit. Like the animal, it goes where it wants, follows its instincts, and does not let itself be tamed. In the collective imagination, the black cat is surrounded by mystery, sometimes seen as a bad luck charm, sometimes as a symbol of magic. I see it as a living force, a being who crosses the night with mischief, who plays with the shadows without ever getting lost in them. Through this identity, I want to embody this energy: the one that emerges where we least expect it, creating moments outside of time, filled with laughter, celebration, and sharing. Le Chat Noir represents the pleasure of living in the moment, of letting yourself be carried away by music, encounters, and the pure joy of being together. It is an invitation to free yourself from the rules, to vibrate without restraint, to see beauty where others do not look. If some fear it, I embrace it. For me, Le Chat Noir is not an omen of misfortune; it is a wink from destiny, a sign that it is time to let go and surrender to the magic of the moment.


You also teach music-related courses. Can you tell us about them?

For several years, my role as a teacher has taken up more and more space in my life. Teaching is my second passion, and I am naturally very good at it. I teach computer-aided music, performing arts, and other subjects at universities, campuses, conservatories, and other institutions.


What motivated you to pass on your knowledge through these courses?

I didn't really choose it. I didn't wake up one day and decide that I was going to teach, but my life paths led me there. First of all, it must be said that it was thanks to my music teacher in middle school that I started music at the age of 11. It changed my life forever, and I wanted to bring that to others. My studies (cultural mediation of music and dance) led me to provide educational experiences to people, and through meetings and requests for private lessons, I gradually found myself falling into teaching. Today, I can't imagine stopping.


What impact would you like to have through this educational approach?

Through this educational approach, I would like to inspire my students to surpass their limits and nourish their dreams, no matter how big they are. I want to convey to them the idea that no dream is too big or goal too ambitious. Too often, we limit ourselves to what we believe is possible, to what society or circumstances dictate to us. My goal is to show them that they are the creators of their own reality, that everything is possible as long as they choose to fully commit to it. I also want them to understand that living your passion is not a coincidence, but a choice that requires work, perseverance, and a clear vision of what you want to accomplish. It is a path that may seem uncertain or fraught with pitfalls, but it is precisely in these challenges that the richness of the experience lies. Through my teachings, I want to give them the tools they need to transform their dreams into concrete projects, teach them to embrace failures as learning stages, and to see each obstacle as an opportunity to grow. It is essential for me to make them understand that the biggest obstacle to self-realization is the fear of failure, or the feeling that they are not made to succeed. I want them to understand that the only thing stopping them from achieving their goals is not having tried. This is why I encourage them to take calculated risks, to question themselves, and above all, to believe in their potential. Ultimately, my impact would be for each student to leave with this inner certainty: that they have the capacity to live from their passion, that they deserve to follow their dreams, and that they have within them the resources necessary to give themselves the means to achieve them.


As a female DJ and producer, what obstacles have you encountered in your career?

One of the biggest challenges has been having to constantly prove my legitimacy, not only as an artist but also as a professional. Sexism is omnipresent in an industry where women are often reduced to secondary roles (such as warm-up acts, and we are not often the main act). As a woman, I have been confronted with judgments about my skills and my place in an industry dominated by men. One of the most frustrating aspects has been the systematic sexualization of my presence. Very early on, I noticed that instead of seeing my work, my skills, or my music, I was first seen as a "female DJ," and often, this term "DJette" is used in a condescending way, as if to minimize the value of what I bring. This reductive perception and the idea that a woman in this role is only an exception to the rule made my first years particularly difficult. I felt constantly pushed to prove not only my talent but also my right to occupy this space. Mansplaining was another form of violence that I had to face. In certain situations (collaborations, when you put your sound in the car, when you talk about sound...), my ideas were ignored or minimized under the pretext that a man had more experience or know-how. This phenomenon of interruption, belittling, or underestimating the skills of women is extremely common. It creates a climate of self-doubt, where it is difficult to make your voice heard, to be taken seriously, and to access the same level of knowledge sharing as a man. On top of that, the environment is often hostile and unwelcoming for women, and this can take the form of sexist comments, inappropriate allusions, or condescending attitudes that question my artistic choices, my decisions, or my skills. The recognition of my work as a producer has been slowed by ingrained perceptions that attribute success or competence to men, not women, as if my legitimacy must constantly be validated by my gender. This brings us to a difficult aspect that I have had to face in my career: sexual violence. This violence manifests itself not only in physical acts but also in inappropriate behavior and language, sometimes coming from DJs, event organizers, or even club owners. I have faced situations where my boundaries have been ignored, where inappropriate advances or comments have been justified by the supposed “friendliness” of the industry. I have often had to navigate an environment where I was expected to be “compliant,” where it was implied that a woman had to accept certain things in order to get ahead. These experiences left me with a constant feeling of unease and distrust.


Do you think the bass music scene is moving towards more equality, or is there still a long way to go?

Consciences seem to be awakening, but there is undeniably a very long and winding road to travel.


Have you had any inspiring female figures in your career, or on the contrary, have you had to forge your own path in this world?

Unfortunately, when I started (2017-2018 in the Parisian scene), I didn't have any inspiring figures. I had never seen a female DJ/producer. Of course, there were female DJs at the time, but I didn't know them. It required me to build a much deeper musical culture to discover all the great female producers and DJs that exist.


Women Bass celebrated their second anniversary and is actively campaigning for the place of women in the bass music scene. What do you think of this kind of initiative?

I find this kind of initiative both important and absolutely essential. It is crucial to create spaces where women can be highlighted, supported, and valued for their true worth. It is a concrete way to encourage more women to get started and take their place without having to constantly prove their legitimacy. Beyond highlighting artists, this kind of initiative also contributes to a necessary change in mentality. They remind us that diversity should not be a simple marketing argument, but a real transformation of structures and behaviors in the music industry. They create networks, support, and above all, a collective force that pushes for a more equitable and inclusive future.


What advice would you give to women who are still hesitant to get into DJing or music production?

My advice would be simple: dare. No matter the doubts, fears, or barriers that people try to impose on you, you have your place in music. Technique is acquired over time, but the most important thing is passion and the desire to create. Surround yourself with caring people who encourage you to move forward. And above all, take your place, because it is rightfully yours.


What should we listen to first from your latest releases, and what should we remember from them?

It's especially my next releases that you'll need to remember! I'm not going to keep the few remixes I released to launch the project, so download them quickly!


Do you have any collaborations or future projects that you can already tell us about?

I will soon release original Le Chat Noir tracks, where I sing in French. The Syncope X Le Chat Noir collab is already ready, and you are not ready for the clash of the two universes.


What would be your biggest dream for this project?

Access to festivals in the big league: Tomorrowland, Dour Festival, and all the others.



While Le Chat Noir is still in its early days, her bold and unique approach to electronic music promises a bright future ahead. In parallel with Syncope, this emerging project gives the artist the freedom to explore new sounds and push her creative limits. We’re excited to see where this musical journey takes her in the months to come. A huge thank you to Le Chat Noir for sharing her vision with us. Stay tuned, as this is just the beginning of a captivating musical adventure.


You can find Le Chat Noir on her social media channels here:



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